Nepal: Three years ago, on April 18, 2019, Salil
Maharjan made his debut into
When he was 8 years old, studying and living in a hostel at
a more attractive instrument—rather, an instrument to make him more attractive to his classmates: a guitar. The switch in instrument came along with a change in his musical interests as well. Maharjan’s interest was piqued by the metal genre of music, something that stuck with him through his career and is still part of him today.
During
his time at Budhanilkantha, Salil Maharjan and his friends came together to
form a band called Sabotage and they performed frequently at monthly school
events and cultural days. The band also took part in the Kathmandu College of
Management’s 12th Inter College Music Competition (KCM ICMC) and Maharjan took
home the Best Vocalist award.
However, Sabotage suffered the fate most bands formed in school
do—as each member went their own way in life and the band stopped making music
together. However, all members of the band still keep in touch and jam
together—Nikesh Acharya, another Sabotage member, even produced Maharjan’s song Chitta
Bujhaunu.
Maharjan
then took up A Levels at St. Xaviers, Maitighar and by then he also knew it was
music he wanted to pursue as a career. During this time, he formed another band
called Blue Skim with his seniors. The band came about from a
compromise—Maharjan was the only one willing to sing metal songs, and the rest
of the band were the only ones around willing to play metal songs. Blue Skim
also took part in the 14th KMC ICMC, where Maharjan once again took home the
Best Vocalist award. Unfortunately, the band broke apart just as it formed once
everyone went their own ways and Maharjan went to the
Maharjan
expresses his dissatisfaction with how the Nepali society still does not take
arts as a formal education. “My family didn’t have a problem with me studying
music. But my school did, my principals did, other people did. If they all
didn’t have a problem with it, I’d have studied music in
After moving to the
Maharjan claims the degree prepared him to take on music
production, managing live performance events, and the business aspect of the
music industry. Maharjan now works as a talent and event manager. This, he
states, is just a stepping stone in what he wants to do with the industry in
Chitta Bujahaunu serves as more than just a hit song for
Maharjan as it was a deeply personal project that came about through love. He
explains that he wrote it about lovers in a long distance relationship and it
came about when Maharjan was in a long distance relationship with his
then-partner who lived in the
As
with Chitta Bujhaunu, Maharjan usually writes to express his personal
experiences. He does not have a routine he follows to make music: he makes music
when personal experiences drive him to make it. “I’ve had people offer me
x-amount of money to write them a song, but I just can’t force myself to write
a song, no matter the money”, claims Maharjan. As such, in the many years of
making music, Maharjan has only been able to come up with 9 songs. For
Maharjan, making songs is a personal process. He needs the time and space to do
it. Hence, in all of his collaborations, he first completes the song and only
then reaches out to individuals and lets them add their own flavour to it.
While his method of creation may not fit into the contemporary model of making
a living through music, it has enabled Maharjan to consistently produce songs
that people can relate to on an individual level. However, Maharjan still has a
liking for playing in a band. Unlike other band-members turned solo-artists, he
never had creative differences with his band mates. “I like playing in a band
because it gives me a sense of the music being complete. I don’t want to be
alone on the stage with a guitar”, said Maharjan.
Maharjan
has already made a big splash in the Music scene in
Bishesh Dhaubhadel
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